Sunday, July 14, 2024

“Killers of the Flower Moon”: The Unsettling Power of Greed

William Hale (Robert De Niro) and Ernest Burkhart (Leonardo DiCaprio) weave a web of darkness through the community of “the chosen people of chance,” whose land’s oil made them the richest people per capita for a time in U.S. history.

With a runtime of three and a half hours, Martin Scorsese’s “Killers of the Flower Moon” beats even this year’s other historical epic “Oppenheimer,” which clocked in at three hours exactly. And though both films are opulent in style and budget, “Killers” lacks the captivating perspectives that Christopher Nolan’s characters delivered; while still engaged with the storyline, I found myself checking the time and stifling a yawn somewhat often. The trouble lies not with the historically true terror — which after nearly a century of being repressed, warrants being shared on the big screen for posterity’s sake — but rather with the familiar trope of white racist capitalists hogging the screen with long-winded monologues in the pursuit of power and greed.

“Killers” details — with sometimes agonizing brutality — the true story of the Osage Indians in 1920s Oklahoma, whose oil riches and rights are targeted by white crime lords looking to redirect the Natives’ inheritances through marriage, murder, and erasure. It’s the telling of William Hale, a wealthy cattle rancher disguised as a “friend” of the Osage, and his nephew Ernest Burkhart, an easily malleable and spineless man, who plotted to systematically kill off Ernest’s wife’s family. Why? As Ernest (Leonardo DiCaprio) puts it time and time again throughout the film: “Well I do love money.” And for money’s sake, Ernest aids his uncle in planning an explosion, shootings, and the poisoning of his own diabetic wife. In total, during this historical “Reign of Terror,” over 60 Osage people were mysteriously murdered.

For the horror of what happened to be conveyed, one could argue that the harrowing scenes where William (Robert De Niro) and Ernest contract the wipeout of Mollie Kyle (later Mollie Burkhart), her sisters, and Henry Roan are necessary. But as unsettling as these scenes are, what’s even more unsettling is the lack of Native voices: rather than telling the Osage history from the point of view of victim Mollie (Lily Gladstone) — or any Native resident who was targeted — there are lengthy scenes focusing on the construction of the dehumanizing murders committed, not their decades-long impact and devastating consequences. Even Mollie’s grief is minimized to a few moments as each murder is carried out.

Leaving the theater, audiences are faced with questions of how far greed will carry evil, why it took the FBI so long to investigate, and at what point one’s complacency toward atrocity is worse than committing the actual atrocities oneself. This being said, “Killers” is certainly still worth seeing as it is an integral piece of history that shouldn’t be ignored.

Movie Times: Click Here

Genre: Drama/Crime

Director: Martin Scorsese

Actors: Louis Cancelmi, Janae Collins, Robert De Niro, Leonardo DiCaprio, Brendan Fraser, Lily Gladstone, Cara Jade Myers, Jesse Plemons, Scott Shepherd

Runtime: 206 minutes

Rating: R for violence, some grisly images, and language

Caroline Minchella
Caroline Minchella
Caroline was 15 years old when her family moved to Coronado. Though she was a “transplant”, Caroline found a home in the Coronado community near-immediately: she became an intern for “The Coronado Times”; helped reinstate the CHS newspaper, “The Islander Times”; was a volunteer dog-walker for PAWS; and a faithful Concert in the Park attendee.After completing her BA in English at the University of California Santa Barbara, she went on to craft answers for Amazon Alexa devices and write creatively on the side. Fast forward seven years, Caroline is thrilled to return as a Reporter for “The Coronado Times.” Have a story for The Coronado Times to cover? Send news tips or story ideas to: [email protected]

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